Footage from rare guerilla recordings of Q&As of IT IS NOT THE HOMOSEXUAL WHO IS PERVERSE, BUT THE SOCIETY IN WHICH HE LIVES following the film’s debut as part of MoMA’s Cineprobe program, and another downtown theater. Shoddily assembled from segments of handheld 16mm footage and roughly synchronized with a reel-to-reel audio recording, the footage features the audience haranguing Praunheim about the possible effects of the film on the perception of the queer liberation movement, both in New York (just a year or so after Stonewall) and internationally. Although the film’s reception may strike us as trite today, it’s a vital document of the trends in activism of the era, as well as MoMA’s role in fostering debate. – Museum of Modern Art

In the background, Rosa von Praunheim sings a love song in a foreign language. The sound engineer counts as the camera moves over Rosa’s black plastic jacket. Carla Aulaulu sings while a young girl (also Carla) collapses from exhaustion while climbing stairs with a shopping bag. An erotic relationship is suggested as the camera focuses on the bag swinging between the maid’s thighs. The maid struggles to make tea for the Klostermann family, who sit stiffly in evening gowns with plastic egg cups on their heads and paper in their noses. One daughter stabs the maid. The family watches the maid’s excessive dancing, amused and embarrassed. Carla collapses repeatedly, with a twitch being the last.

Documentary short by Rosa von Praunheim.

Lady Macbeth, driven by ambition, urges her husband, Macbeth, to murder King Duncan. Macbeth becomes king but descends into madness. A Scottish nobleman, in a duel, ultimately kills Macbeth. The film, set 900 years later in Berlin, depicts this act with a blurred sequence.

Rosa von Praunheim is an icon in the scene: gay activist, loving provocateur and a very special filmmaker from Berlin for decades. His curiosity for people and their fates runs through his extensive film work. For his 70th birthday he has now made 70 new short films. In the first part of the big project, he confronts Thilo Sarrazin with the mayor of Neukölln, Heinz Buschkowsky, and the Turkish lawyer and women's rights activist Seyran Ates; shows a homosexual hustler in Bucharest; gossip reporter Andreas Kurtz, who knows everything about Berlin's celebrities; Rosa's neighbors who live with her dependent brother; Esther Bauer, who survived Auschwitz, and the Berlin comedian Ades Zabel. High on the roofs of Berlin, the gay chimney sweep Alain Rappsilber tells him about his fetish leather meeting Folsom.

Rosa von Praunheim has made 150 films and repeatedly provoked the middle-class to homophobic majority society. But he doesn't spare his own community either by accusing many gays of being conformist soft-spoken people; and by outing some prominent homosexuals against their will, he has made many enemies. For the younger generation of LGBTIQ activists, Rosa von Praunheim is still known as a figure from the early phase of the queer movement, but as a white cis man he hardly gets a hearing there. However, Rosa does not want to argue and theorize, but above all to live out his creativity. Sometimes narcissistic, sometimes angry and combative, sometimes anxious - and always with his own style. Companions such as the comic book creator Ralf König, the producer Regina Ziegler and the New York publicist Brandon Judell pay tribute to the artist and activist Rosa von Praunheim, who calls himself a “lucky child” because he was mostly able to do what he felt like doing.

布伦达女士试图让安吉尔远离她才华横溢的儿子塞德里克，以便他能拥有一个美好的未来，于是决定付钱让安吉尔离开。但与此同时，安吉尔仍偷偷与塞德里克见面。布伦达女士因肺炎去世后，她的灵魂在得知两人仍在一起后回来作祟！

Back in 2016, a scientific advisor gets hit by the full farce of the government she's trying to help. Shot and edited remotely during lockdown, an all-star cast brilliantly bring to life the story of a disease expert who is wading through the treacle of government bureaucracy. Can she persuade the powers-that-be that we actually do need experts? And that ignoring the science can have deadly, global consequences...

一个富裕的家庭因母亲去世而在他们的祖宅中团聚。一系列的情况会让他们和腐烂的尸体待在一起的时间比预期的要长，与此同时，他们之间的关系也在逐渐破裂。

The filmmaker Rosa von Praunheim remembers his humble origins from the unglamorous district of Frankfurt Praunheim.